A metaphysical quest for the deepest backbend
Wave Hill Public Garden and Cultural Center
In A Metaphysical Quest for the Deepest Backbend, Melanie Elyse Brewster imagines the aftermath of a mysterious ritual in the Sunroom. The installation blends fact and fiction to tell a story of a woman whose extreme yoga practice transforms her into an ouroboros, an ancient symbol depicting a serpent consuming its own tail signifying renewal, transformation, and the cycle of life. In Brewster’s envisioning, this metamorphosis marks a state of “Completion,” a passage that transcends the physical body, from which the woman disappears.
Brewster’s visual and narrative lexicon draws from surrealism, cultural anthropology, queer aesthetics, ancient religious systems, and occult practices to reflect on the limits of wellness enlightenment. Large, suspended banners of hybrid figures chart bodily contortions that progress into impossible physical postures. At the center of the installation, a cork exercise mat and yoga blocks are encircled by black rope braided from upcycled yoga pants that honor those who have achieved Completion, creating a protective circle of devotion. Nearby, shed snakeskin and a sandy black substrate suggest evidence of transcendence.
Throughout, objects gathered from the artist’s family and flea markets are repurposed as ritual artifacts of an imagined belief system. Crystals, vessels, gold-plated body jewelry, dried herbs, and other objects blur the boundaries between altar, yoga studio, and archaeological site. Chains connect materials and coalesce practices rooted in control and power, requiring extreme discipline and trust. Watercolor and metallic foil works recall illuminated manuscripts that honor the sacred, while journal entries, food logs, poetic fragments, and purification instructions reveal a disciplined, daily spiritual practice.
While some world traditions view the primordial serpent as female, Brewster’s mythology moves beyond traditional gender constructs. Rooted in nature worship and rewilding, the artist’s uncanny and unresolved mythology asks what happens when spiritual liberation demands transformation of the body into a non-human form, through self-sacrifice.
Distorting familiar narratives of mind-body approaches, A Metaphysical Quest for the Deepest Backbend also considers the distance between contemporary practices and yoga’s traditional frameworks rooted in ancient Indian philosophy, as well as questions of access to wellness practices. In Brewster’s reimagining, spirituality, esoteric practices, and nature worship converge to create an opening for a discipline guided less by explicit self-awareness than by an intention to produce collective transformation through shared knowledge and interconnectedness.
—Written & Organized by Curator of Visual Arts Rachel Raphaela Gugelberger
Lecture by cultural anthropologist, Dr. Janet Lykos on the underlying myths and rituals inherent in Ourohood. Full article published in The Atlantic on the mysterious disappearance of Emily Smith and other Ourohood adherents available as PDF.
Meet the artist program at Wave Hill with conversation between Curator of Visual Arts Rachel Raphaela Gugelberger (L) and Melanie Brewster (R).
Exhibition views of Melanie Elyse Brewster: A Metaphysical Quest for the Deepest Backbend, 2026. Fabric, fiber, cork mat, yoga blocks, yoga pants, watercolor on paper, foil, gold-plated jewelry and chains, LED candles, silver platters, obsidian and quartz crystals, dried herbs and flowers, black sand, clay, glass. Courtesy of the artist. Commissioned for the Sunroom Project Space at Wave Hill.
Photo credit: Stefan Hagen. Courtesy of Wave Hill, Bronx, NY.